2024 National & International Judges Panel

Almendra
AlmendraInternational Head Judge - Salsa & Bachata
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Almendra Navarrete (Chile) Professional ballerina, World Champion of the World Latin Dance Cup 2017, Feminine Soloist category and Salsa On2 category, in addition to being Ultimate Champion with her partner Richie Torres. Since 2014, she has been a podium player in the Female Soloist category at the WLDC.
Richie Torres
Richie TorresInternational Judge - Salsa & Bachata
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Richie Torres (Argentina) Professional dancer. In 2016, he won Second Place in the WLDC Salsa On2 category with Almendra Navarrete. In the year 2017 he obtained the first place in the Salsa on2 category in addition to being the Ultimate Champion of the same event. Subchampions World Salsa Summit 2018 and 2019 Category Salsa On2.
Mitch Bilic
Mitch BilicInternational Judge -Salsa & Bachata
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Mitch took his first dance steps at the age of 8 having trained in jazz, tap, hip hop, drama and singing at Keane Kids Studios. However, it was in 2005 Mitch discovered Latin dancing and immediately fell in love with not only the dance but the culture. In 2008 Mitch won the very first Australian Bachata Championship and from this point decided to pursue a career in dance. In 2009 Mitch met his dance partner Ellicia McDonald and shortly after took the Australian and World Latin dance scene by storm. Mitch along with his partner Ellicia McDonald are the pioneers of Bachata Sensual and Bachatango in Australia and are responsible for putting Australian Bachata on the World radar. They have dazzled Latin Congresses and Commercial Events in over 35 countries as instructors, performers, competitors and choreographers. They have achieved impressive credentials in their time as a partnership including: 2013 World Bachata Champions 2014 World Bachata Masters (4th Place ) 2012 New Zealand Latin Dancesport Champions. 2013 World Dance Sport Games WDSF ( 5th Place ) 2x Australian Salsa Champions (2012/13) Multiple Australian Bachata Champions His impressive resume includes being the organiser of the Bailando Sensual Festival as well as working for well-known companies such as Di Heaton Dancers, Princess Cruise Lines, WB Productions, G’day Hollywood Productions, Dance Dance Dance, Sydney Dance Company, Opera Australia, Rapid Loss, and Boombox. Mitch is known for his charisma, incredible showmanship, lifts and tricks, technique, and passion for teaching his students.
Annie Giles
Annie GilesYouth Judge - Salsa & Bachata
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Annie is one of the pioneers of Salsa in New Zealand. Her continuous involvement in the Latin Dance scene as well as support of various dance schools and events has proven to be invaluable. Her generosity has helped so many grow and develop, including our youngest Salseros and Salseras all over the country. Annie has been on all sides of competitions: as an MC, organiser, judge and a competitor. With years of experience she brings knowledge and skill to our judging panel.
 Rebecca Connaughton
Rebecca ConnaughtonSalsa & Bachata
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Rebecca discovered Salsa while living in Tokyo, initially learning from Cuban instructors and by immersing herself in the social dance scene. She became involved in the competitive salsa scene since 2007, initially as a competitor and then as a coach, choreographer, competitor and judge. She has coached and choreographed a successful NZ salsa shines team since 2012, with this team placing at numerous competitions in NZ, as well as placing at competitions within Australia and the USA. Rebecca attended a judges’ certification course with Billy Fajardo from the USA, and has been a regular judge at the World Salsa Solo in Brisbane and the South Island Salsa Championships. Rebecca’s true passion is mentoring dancers in order to provide them with skills to move in a way that suits their specific body type, and to encourage confidence and self-expression on the dance floor.
Irina Kapeli
Irina KapeliSalsa & Bachata
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Irina has been dancing Salsa since 1998. Prior to that she trained in gymnastics, ballet and jazz. She has completed a year and a half of University studies of Dance technique and Teaching, Chorography, Anatomy, physiology and Biomechanics. Irina is also an IDO certified judge.
Emily Armstrong
Emily ArmstrongKizomba
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Emily started dancing at a very young age, training and competing in Ballet and Jazz for many years. She started dancing Salsa and Bachata about 13 years ago, and over time trained in a wide variety of other styles including zouk and kizomba. For 8 years, Emily taught many of these styles at her dance school, Salsa Club Dunedin. She also ran a dance school for children. Emily is now dance partners with Augusto and their favorite dance styles are Zouk and Kizomba. They have taught both these styles all around New Zealand and in Australia. They also have competed together in many styles and have had great success.
Alex Lee
Alex LeeKizomba
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Introducing Alex Lee, one of our judges for the Kizomba Division. As an instructor at Dança Wellington, Alex has enriched New Zealand's dance scene with his kizomba workshops. Internationally recognized as DJ Switch, he's a sought-after live performer in the Asia-Pacific and has garnered global attention with his online DJ streams, gaining over a million views on social media. Grounded in kizomba and semba, Alex has also expanded his expertise in Europe, embracing fusion and urbankiz styles. With his depth of experience and genuine passion, Alex is a welcome addition to our judging panel.
Jason Stubbs
Jason StubbsKizomba
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Jason caught the dance bug in the early 2000s after attending his first Modern Jive class. This led to more classes and a hunger for places to practice. Sky City was a popular venue for bands and dancers back then and Jason soon discovered the latin dance scene. Salsa lessons ensued, followed by various other dance styles such as Bachata, Tango, West Coast Swing, Zouk and Kizomba, which eventually became his main passion. Jason has placed in and won numerous dance competitions (couples & teams) and was the inaugural NZ Kizomba champion back in 2018 with dance partner Clare. He has also performed & competed with various dance groups such as DancExtreme & AVEO Ep. Jason has been an instrumental figure in the Auckland Kizomba community, having been there right from the beginning, helping to organise and run free socials, and being one of it’s leading instructors. He’s excited to be part of the Kizomba judging panel for this year’s competition & looks forward to seeing how far the community has progressed.
Phoebe Denton
Phoebe DentonZouk Jack & Jill
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Phoebe has been dancing since she was 3 years old and has over 25 years of collective dance experience across Ballet, Gymnastics, Latin Ballroom, and Zouk. Her love for Zouk took over in 2011 and has been her primary focus ever since, leading her to study extensively all over the world. She has been teaching Zouk classes and performance teams for 7 years and will always continue to learn and develop so she can pass her knowledge onto students. She sees Zouk as a graceful conversation between two people and her love for the style has pushed her to be a skilled dancer and teacher.
Claire Kellner-Read
Claire Kellner-Read
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Brisbane based dancer Claire started Ballet at the age of 3 in the UK. In 2006 she joined the Austrian Youth Ballet Company then furthered her full-time classical training at the Australian Dance Performance Institute, gaining an Advanced Diploma and High Distinction in her RAD Advanced 2 exam. In 2012 she was accepted into prestige European Ballet Academies, then moved to Sydney in 2018 to start her Salsa career under the guidance of Oliver Pineda and Adrian Medina. In 2020 she left Sydney to further her studies with renowned dancers such as Marco Ferrigno, Franklin Diaz, Griselle Ponce and Jhesus Aponte. In 2022 Claire launched CKR Coaching where she works closely with dancers to help them achieve their personal goals. Since 2018 she has not only made her mark in the teaching world but also in the competition: 2018 Semi-Pro Salsa Solo Champion, World Salsa Solo 2019 Semi-Pro Salsa Solo Champion, Australian Dance Cup 2019 Professional Salsa Solo Champion, World Salsa Solo 2022 Professional Runner-up, Las Vegas Ultimate Latin Dance Championships
Trajano Leydet
Trajano Leydet
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Trajano who is the Director of Auckland studio Brazilian Dance Art, better known to many as Zouk Art, is from Argentina and has a strong background in acting, martial arts and Capoeira. Prior to moving to New Zealand he danced Cuban Salsa and Ballroom and he has since trained in contemporary, circus, acro, animal movement, yet his main focus for the past 11 years has been in the Brazilian dances Brazilian Zouk and Samba de Gafieira.
Farya Zaman
Farya Zaman
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Christophe Doux
Christophe Doux
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Scoring Criteria

Scoring Criteria
Solos
Duets & Shine Teams
Couples & Partnered Teams
Timing
25%
20%
20%
Musicality
15%
15%
15%
Technique
15%
15%
15%
Difficulty
15%
15%
15%
Partnership/Connection
-
-
15%
Synchronicity
-
15%
15%
Choreography
15%
10%
10%
Overall Presentation
15%
10%
10%

Timing

Dancers are required to show recognisable timing for the majority of the performance. The correct and consistent use and understanding of the timing and rhythm relevant to the Latin dance (the sharpness of ‘highlights’ and the execution of appropriate syncopations) must be displayed. Dancers should be consistent with the timing of the chosen dance style. Competitors will be deducted marks for interchanging 1 and 5 if dancing ‘On 1’, or interchanging 2 and 6 if dancing ‘On 2’. If dancers temporarily break their timing to accent musicality or maintain the flow of a movement they will not be penalized, as long as this action is purposeful and there is an intentional effort to return to the original timing. For team categories, the synchronisation of the team where the choreography should/is intended to be synchronised (e.g. during combinations, poses and shines, and in dancers’ lines, hands, feet and body movement) will be scrutinised in the scoring of the timing.

Musicality

Dancers will demonstrate their ability to creatively work with the timing of their individual music. This can be done in a variety of ways, including patterns, footwork, “hits”, tricks, etc.

Technique

Technique is reflected through balance, placement and line. This refers also to general technique for partner dance, where the movement is “grounded”, and there is clarity of proper weight changes from foot to foot. Technique and/or body styling should be specific to the chosen dance style. Movement should appear to be both clear and effortless.

Difficulty

Reflected by difficulty of patterns, turns, intricacy of shine movements, and level of tricks, dips, drops and flares. Examples: The amount of turns done on both double and single foot. How intricate were the shines? In the Showcase category, what was the difficulty of the lift-work? Was it properly executed? How about jumps, kicks, extensions? Any movements requiring exceptional balance, flexibility or strength? In order to get credit for any of these things, the movement must be successfully executed.

Partnering/Connection

This is reflected in the lead/follow aspect of the dance. Are partners truly connected, or are they merely executing choreography while holding hands? Synchronicity during side by sides or shines will also help determine the score in this category.

Synchronicity

Refers to the unison of a team during side by side movement, line placement, footwork and styling. Teams will also be judged on their utilisation of formations. Judges will consider the artistic choice, clarity and variety of formations, and the transitions utilised to change between them.

Choreography

Choreography is judged on elements as use of floor space, interpretation of music, interesting pattern and shine combinations, formation changes ( where applicable) and use of height levels ( lower, mid and upper).

Overall Presentation

The overall presentation of the Individual/Couple/Team. Judges will consider the aesthetic qualities and professionalism exhibited in the costuming and appearance, the entrance, exit and sportsmanship. Costumes should complement the style, movement, theme and dancers to enhance the performance. Note there may a 2 point deduction for costume malfunctions. Please note the results and decisions of the judges will be final, binding and conclusive on all matters!